We have a lot of episodes to get through.
I want the full body shot for a body pillow ;_; stupid credits.
We have a lot of episodes to get through.
I want the full body shot for a body pillow ;_; stupid credits.
There are a few robot (space robot) shows this season, and … well I’m not much of a mecha-person. To be quite honest, I find all the mechanical parts a bit too much. Anyway, I thought I would give them a watch to see what they were all about, and to see which – if any – would be a good series to follow through for the season.
A quick brief of the three mecha animes I’ve identified this season follows:

Summary: While fighting an intense inter-galactic war, a mecha pilot is accidentally warped into a space-time neither he nor the computer of his mecha can recognize. After waking up from a long hibernation, he finds himself trapped on a planet with human residents speaking an unknown language and using inferior technologies, and – most shocking to him – naturally breathable air.

Summary: Thanks to the development of the Dyson Sphere, the majority of the human populace has moved to live in space. The Dorssia Military Federation and the Atlantic Rim United States exist as major military countries, while JOIR is a neutral principality; the story follows Haruto Tokishima as a normal boy going through high school in True Calendar (T.C.) Year 71. This all changes when Haruto encounters the humanoid weapon Valvrave.

Summary: In the latter half of 21st century, humans leave the Earth and begin to live in space. In order to adapt to the environment in space, and deal with the hostile aliens in Jupiter, genetically engineered children called “Princes” are artificially raised and trained to be pilots of the armed robots “AHSMB” (Advanced High Standard Multipurpose Battle Device). This is a story about one of the teenage “Princes”, Hitachi Izuru, who studies in an academic city Grandzehle.
Continue reading ‘robots versus robots: from a non-mecha perspective’
After the utter disappointment of Haganai NEXT, I was in the pits of despair. I didn’t feel like watching anime anymore because all the light novel adaptions I read were crap. Utter sacrilege. Hataraku! gives me new hope in humanity! A rain of beautiful sunshine consisting of poverty, emo facial distortions, and a 100 yen knives. Just what I needed! THIS IS MY 69th post ![]()
![[FFF] Hataraku Maou-sama! - 02 [E1E55F57].mkv_snapshot_02.41_[2013.04.11_21.38.41]](http://brianandrew.files.wordpress.com/2013/04/fff-hataraku-maou-sama-02-e1e55f57-mkv_snapshot_02-41_2013-04-11_21-38-41.jpg?w=655&h=368)
Facial distortions mean everything in an anime
Here we go again.
Our Main Character’s Evil Lair Back in his Homeworld.
A year and a half ago, when Chihayafuru Season One had just rolled out, I wrote a post about the sort of Love Triangle playing out between Chihaya, Taichi, and Arata. Now, ten episodes into the second season, I’m taking another look to see how things have – or haven’t – developed.

Remember that rant I posted the other day saying:
Sigh, I was really hoping for K-ON! 2.0 with boys edition.
Kyoto got right on it. BUT THIS IS NOT WHAT I MEANT! AND THEY”RE SERIOUS!! They literally just made the four genderbent into hot bishounens. I wanted cute girls who regularly interacted with boys on a day to day basis. Not cute guys only! In the fujoshi population of the anime fandom, you can hear the arousal calls of thousands going: “UEHEHEHEHEHEH.” And the REAL issue is. I might just join them.
Now for the specs:
Title: Swimming/「水泳編」
Production staff:
- Storyboards & director: Hiroko Utsumi (ANN)
- Character design & animation director: Futoshi Nishiya (ANN)
- Key animators: Fumio Tada (ANN), Taichi Ishidate (ANN), Nao Naito(ANN), Eisaku Kawanami (Animation Do; ANN), Tatsuya Satou(Animation Do; ANN)
- In-between check: Motoki Matsumura (Animation Do; ANN)
- Color design: Yūka Yoneda (ANN)
- Special effects: Shizuka Uno (ANN)
- Background: Jouji Unoguchi (ANN)
- Director of photography: Kazuya Takao (ANN)
Music:
- Composition & arrangement: Daisuke Kikuta (Elements Garden)
- Music production: Lantis
- Music producer: Shigeru Saitou (Lantis)
- Sound production: Rakuonsha
It surprised me the other day when I had to explain to a person that the purpose of anime is to create fantasies. Humans have dreamed of other worlds to cope with their situation before long ago. Have you ever daydreamed while looking out the window of a more stressless time? Say summer break when you went to the pool. Or maybe you’re daydreaming about reading that book you stayed up late reading. Thinking of something you would rather do than what you’re doing now is a very common coping mechanism for humans.
Comparing the visual detail and quality to Haganai NEXT is like comparing a Ferrari to a Shopping Cart.
Continue reading ‘i hate how the titles of my posts are all lowercase: a rant in 2 parts.’
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